Following an approach from a new customer, a new design has emerged…This customer had a well-defined set of requirements:
- Usage situation dictated an EL84 PP design would be suitable
- MM Phono peamp required
- Line-level inputs required
- Tone controls required
- Headphone output required
- Remote control volume adjustment required
Fairly rapidly I decided this amp could be based on the previous EL84 amp I made at the start of the year, with some additions.
Firstly, I intend using an off-the-shelf power transformer. The custom-wound transformers are handy, but they’re an industrial product, and as such the aesthetics in their design limit their use in a piece of equipment where they are going to be on display. Sadly the manufacturer was unwilling to work with me on this aspect, so my transformers will have to come from Canada now, instead of being locally made.
The power transformer I selected for this job is the Hammond 370FX. 172mA at 275v, 3A at 5v and 5A at 6.3v, with a 50v bias tap. Everything I need.
The previous tone control worked well enough for it to be included in this project without modification. Except I’ll redesign the circuit board.
This customer was adamant this amplifier have a headphone socket. This was a non-negotiable requirement since their musical taste is not shared with other members of their household. This is provided by an ECC99 SRPP-based OTL design borrowed from the internet. It simulates well in LTSpice down to 32 Ohm headhones, and will drive into 16Ohms as well, although with greater distortion and a lower level.
Printed Circuit Boards
This amplifier will be designed on several PCBs:
- Power Supply
- Phono Stage
- Tone Control
- Headphone stage
- Bias adjusters for EL84s
The circuit boards will differ from the previous tone control board in that the tube sockets will be on the opposite side to the discrete components, to facilitate the boards being mounted upside-down in the chassis, allowing the tubes to rise from the top of the chassis as in a point-to-point design.
The EL84s will be chassis-mounted, as in the previous EL84 design on this site.
First stage of development, we have a circuit.
By way of explanation:
V1 + V2 are the MM cartridge phono amplifier stage. RIAA equalisation is given by the RC network giving NFB to the stage
V3 is a Cathode Follower, necessary because the preceding phono stage has a high output impedance, and also to provide additional current capability to any line-level signals at the input, to drive the tone stage.
V4 provides around 20dB gain to compensate for the losses in the tone stage, restoring the entire stage to unity gain. This is the same circuit as the previous “Tone Control” project on this site
V5 is the gain stage for the amplifier properV6 is the concertina phase splitter. This needs an elevated heater.
This stage encompassing V5 and V6 is borrowed from the Fisher X-100.
V7 and V8 are the PP output stage with the EL84s, running in Ultralinear configuration into Hammond 1650E output transformers. Fixed bias is employed with the cathode resistors providing the reference voltage for adjustment.
V9 is the gain stage for the headhone amplifier, V10 and V11 the SRPP current driver stage to power the headhone output.
The power supply will incorporate the same 30-sec startup delay on the B+ as the previous amplifier projects on this site.
Owing to the current capability of the low-voltage secondaries, we have a split, with some of the tubes receiving DC heater voltage and others receiving an elevated AC.
Parts are ordered, next stage is PCB design. to be continued….